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Friday, September 14, 2012

Contract Update & Fiction Friday

Well... I did it!

Two years ago, I set myself the goal of publication and yesterday, I reached it!
I just recieved word that my contract with Llewellyn Publication has been finalized and approved.
2 books with the option for the third... how crazy is that??
I'll post more as I learn more... to celebrate, here's the first chapter of my soon to be published thriller, THE FIRST--



One
 

            Yuma, Arizona

December 22, 1999

 

            Waiting was the worst part. The sporadic stretches of time between his visits—when he came and hurt her—were the hardest torture to bear. She had no idea how long she'd been in the dark. No longer trusted herself to count the days. It’d been October first when he took her. What month it was now was impossible to figure out but if every time he raped her marked the passing of a day, every time he cut her, the passing of an hour then she'd been locked away for centuries and everyone she loved was dead and gone.

            Shifting, she felt the pull of dried blood and unhealed wounds across her skin. She couldn't see them—the only kindness the darkness granted her—but she could feel them. Smell them. They were everywhere. Cuts, long and thin, ran the length of her spine. The inside of her thighs. Along the swell of her breasts. The soft flesh under her arms. The soles of her feet. The stench of old blood and infection mingled with the warm, revolting smell of the bucket she was forced to use as a toilet. She tried not to think about it. About what had been done to her body. About what she’d been forced to do to survive…

            Sounds penetrated the dense folds of black that surrounded her.

          Footsteps. Slow and measured.

            Terror gripped her, forced movement into limbs no longer totally under her control. Lurching to her feet, she swayed beneath the almost impossible heaviness of her own body weight. She took a few shuffling steps, kept one hand braced against the wall, while the other hovered out in front of her.

            He wanted to play.

            Her hands closed on the knob and grappled with it. Her hands were encased in duct tape—wrapped round and round until her fingers were fused together and rendered useless. Without working fingers, getting the door open was difficult, but not impossible. Using both hands, she gripped the knob and turned. The door unlatched and swung inward.

            Step by step, she forced her legs and feet forward until she slammed into the wall opposite the door. Pressing her battered cheek against it, she dragged cleaner air into her lungs in ragged gulps.

            Light glowed a dull, muted red against her lids. Instinct seized her, her brain sent the signal, tried to open her eyes even though she knew she couldn’t. Her lids wouldn’t budge—hadn’t since she woke in the dark.

            Experience told her that going right was wrong. There were stairs to the right but they led to nothing more than a locked door. He wanted to chase her. It was his favorite game. She could feel him, standing at the base of the stairs.

            Staring at her.

            Her heart started its frantic kicking. It bounced around her chest, tried to claw its way up her throat. Turning left, she moved legs as fast as they'd go, her shoulder hugging the wall to keep herself upright.

            Footsteps echoed after her, slow at first but then faster and faster.

            He was coming.

~*~

            He reached the bottom of the stairs and smiled when the door flew open. Watched her stumble across the hall and slam into the wall in front of her. He took a deep breath—pulled the sweet smell of her blood into his chest and held it.

Even at a distance, he could feel the heat of it. The way it tingled across his skin. His mouth began to water. The need to taste her was a fire in his blood. He'd fought against the burn for years. Not because he felt like what he wanted to do to her was wrong but because he knew.

            Eventually he'd go too far and end up killing her. Killing wasn’t the problem. The problem was the more he had of her, the more he tasted her, the less he was able to control himself. Every time he drew his knife across her skin, the urge to push the blade in just a little deeper grew stronger and stronger. Sooner or later, he was gonna snap. Wouldn't be able to stop himself. The thought worried him. He could feel it, circling closer and closer. Not that he didn't like killing—no, killing was fun. He’d killed lots of times. Animals—cats and rabbits mostly. A dog here and there.

            Some people said animals didn’t have souls but he knew that wasn’t true. Felt them plenty as they wriggled free of the meat and bone that trapped them. Sometimes he had to force it out and sometimes that slippery thing seemed almost grateful to be set free. He liked it better when they put up a fight. Liked to peel back the skin—layer by layer—until the screaming thing beneath him simply... stopped.

            But his Melissa was different.

            There was fight in her. More than he'd bargained for—it thrilled him beyond measure. He’d had her for eighty-two days—eighty-three, if he counted today—and she hadn't given in. Hadn't wriggled free.

            Not yet, anyway.

            She lurched forward, her gait made slow and uneven by the drugs he kept her on. Her naked body smeared with blood he'd drawn. Covered in wounds he'd inflicted.

            Beautiful. Almost too beautiful to be real. He swept his gaze over her face before they settled on her eyes and the neat row of stitches that kept them closed. He was sorry for it—not being able to see her eyes. He wanted to rip those stitches out of her lids and force her eyes open, make her look at him. Make her see him—but he couldn't. Seeing him would ruin everything.

            His eyes traveled downward. The blood was freshest between her thighs. Thick and dark. Moist and warm. Seeing it killed his amusement, dried it up. The thought of nesting there—pumping himself into that slippery hole between her legs, cutting her while he did, over and over—moved him forward. He could see it. Her blood-slicked skin, marbled with his semen. His hands and cock covered in both.

            Reaching into his pocket, he pulled out the KA-BAR he always carried. The knife had been a gift from his father for his twelfth birthday. If he knew what he’d been using it for, his daddy wouldn’t be too happy. Thinking about it made him smile. He flicked the blade open and gripped it tight.

            Looking at her always made him hungry.

            He started after her, took the distance slow at first, but every inch forward pushed him harder and faster until he was nearly running. Fell on her, dragged her under and she went down swinging and screaming.

            Just how he liked it.

~*~

            She hit the floor, her skull bouncing off the unforgiving pad of concrete that had only seconds before been under her feet. Her arms swung wildly, hitting him again and again.

            The sound of his laughter told her he found her efforts amusing. Anger roiled around with the terror. The scream forced its way out, nothing more than a dry croak that burned her throat as she drove the flat of her foot into something soft. He grunted in pain and let go.

            Suddenly free, she rolled over, tried to crawl but couldn't. Digging her fingers into the rough floor, she pulled—dragged herself until she had nowhere to go.

Dead end.

            Pressing herself against the wall, she drew her legs to a chest that heaved and wracked with dry, wordless sobs.

He'd recovered from whatever minor damage she'd managed to inflict, was standing over

her. He wasn’t laughing anymore.

She heard the jerk and snap of his belt as he yanked it off. Felt the bite and hiss of his zipper as he drew it down.

            Battered knees forced themselves harder into her chest. Her swollen face buried itself  against her thighs.

Please... please let me die this time. Let me go. Please—

            His hand fell on her head, gripped her hair and flung her to the floor. He crouched beside her, his warm breath excited and hurried against her face and neck. Grabbing her arms, he looped his belt around her wrists, yanked them above her head. Bent them back until they felt like they’d snap in two. Her eyes rolled in her sockets. The red burn of light behind her lids went black.

            Hands fell on her thighs and yanked them wide. A fierce burn, accompanied by the horrible pressure of him inside her as he rammed his hips against her—faster and faster—his grunts and moans a dull roar inside her head.

            "Mine. Mine. Mine..." He muttered it over and over, each thrust accompanied by the only word she'd ever heard him say. She knew him, but every time she tried to focus on the voice behind the guttural tone, she got lost. Let herself drift away from what was happening to her until the pain and horror faded away into nothing more than shadow.

            The tip of his knife sank in, dragged along her breast, skirted around the rapid, uneven rhythm of her heart but she hardly felt it. His tongue came next, flat and wet against her breast, lapping at the blood his knife had drawn. The feel of it turned her stomach—she was almost glad when he pushed the blade in further and she prayed  this time he'd force it deep enough to kill her. It bumped along her ribcage, its journey made jagged and broken by each brutal thrust of his hips. The blade skated along her belly, his muttering became frenzied, almost enraged. The pounding between her thighs came even faster, even more violent.

            Over. It was almost over—

            The blade at her belly sank in deep, a vertical breach that stole her breath and answered her prayers.

            The lift and drag of the knife being yanked from her torso set her on fire, followed by another thrust of both hips and knife. “Mine.” This time he sank the blade in at a diagonal angle.

            Lift. Drag. Thrust. “Mine.” Diagonal.

Lift. Drag. Thrust. “Mine.” Vertical.

It was the letter M.

            Something inside her broke free and floated away. The legs she'd tried so desperately to close, even with him between them, went lax. A sudden warmth stole over her and she smiled.

            She was dying. She was finally free.

~*~

            He felt for a pulse. Nothing.

Watched her gore splattered chest for the rise and fall of breathing. It was still.

He bathed her and put her in the trunk before driving toward the place he’d picked out a few weeks before. It was far from where he’d kept her, even farther from where he’d taken her. A small building appeared to the left of the road and he turned. It was a Catholic church—St. Rose of Lima. The structure was squat and brown, hunkered in the dirt it sat in, as if afraid of the wide night sky and endless desert that surrounded it.

St. Rose served a transient congregation. Mostly migrant workers that labored in the cotton and melon fields that dotted the landscape. He drove around the back of the building and killed the engine. He watched the back of the building for a few minutes to ensure  it was empty.

The first time he’d ever seen her was in a church—one much different from St. Rose. It’d been a Baptist church. Tall and proud. Surrounded by trees. He’d seen her sitting in the front pew with her grandmother—her stunning face so serious, her Sunday dress clean but faded and nearly too small for her growing frame—and knew she was meant to be his. She belonged to him. Looking at her, one word pounded through his brain, over and over.

Mine.

She’d been young, too young to be alarmed when she caught him staring at her. She’d looked at him from across the aisle with the bluest eyes he’d ever seen—and smiled. Just remembering it took his breath away.

He popped the trunk and got out of the car. This time he cradled her in his arms like he was crossing the threshold with his bride. Hunkered down, he freed one of his gloved hands from his bundle and unlatched the gate to step into the tiny prayer garden behind the church.

It was nothing more than a few trees and some rosebushes planted next to a marble bench but he imagined it was paradise as he stretched his Melissa out over the bench. Kneeling beside her, he pulled a pair of cuticle scissors from his front pocket and used them to snip the sutures from her lids. As careful as he was, each pass of the scissors tore the delicate flesh. Blood leaked from the corners of her eyes and he swept it away, smearing it across her temple with his gloved thumb. After the stitches were removed he peeled them open, eager to see her beautiful blue eyes. Anticipation soured in his belly as soon as his eyes locked onto hers.

They were empty.

The blanket fell open, gave him a glimpse of naked flesh. Distracted, he moved it aside completely to give himself some more. He cupped her breast, still warm from the blanket, and fondled it—felt himself go hard at the sight and feel of her. His eyes travel downward until they found her stomach and the collection of stab wounds he’d left there. His groin began to throb and his free hand fell to it, began to stroke it through the rough fabric of his jeans.

He considered having sex with her, one last time, but the thought was fleeting, chased away by a flutter—weak and sporadic—beneath his hand. The hand on his crotch went still and he flattened the other against her chest and pressed down. Searching for the heartbeat he was sure he’d just felt, but there was nothing there. A minute passed, then two. He dropped his hand. She was gone.

He was unsure of how much time had passed but when the lone howl of a coyote cut across the desert he took it as a warning.

It was time to leave.


 

Thursday, September 6, 2012

Blurb-a-palooza 2012


Book blurbs.
You know, those snappy little quotes you see on the front cover of most paperbacks—

“Engrossing!”
                           “Riveting!”
“I couldn’t put it down!”
                                    “My new favorite author!”
“Intense!”

We’ve all seen them… and if you’re like me, then you’ve daydreamed about seeing one, or three, splashed across the front of your novel—hopefully attached to the name of a few big-time authors.
There are conflicting reports on how important they are. How well they help sell books. How easy or hard they are to get. Who you should ask and how…
I’d like to focus on the who and the how.
Who you ask to blurb your book is important. If you wrote a paranormal romance, you wouldn’t ask Tom Clancy to give you a blurb, would you? Probably not… because it’s best to focus on authors that are readily identifiable to the readers of your genre.
Paranormal romance = J.R. Ward. Christine Feehan, Sherrilyn Kenyon
Spy Thrillers = Tom Clancy, Brad Thor…

            well, you get the idea.

This raises a bit of a moral dilemma: is it important to be familiar with the author’s work that you ask for a blurb?
I happen to think it’s very important. I’m not sure I could personally approach an author whose work I didn’t know and admire… maybe that’s foolish of me, but there it is. I’ve thought about asking authors I'm unfamiliar with for a blurb and I couldn’t do it.
So, I started my search for the perfect blurb on my bookshelf. I write thrillers—makes sense since that’s what I read, right?
 I was immediately overloaded (I have A LOT of books…) but then I remembered the last book I bought from an unknown (to me) author and what drove me to buy it:
1)     The covergreat use of color, intriguing title…
2)     The blurbs. Both Lee Child and Harlan Coben gave Alison Gaylin’s and she was a great blurb.
 
           Great writers in the genre = a sense of trust about what lies beneath the cover. Child and Coben told me this book was good… so, I bought the book. And I liked it. I think people will like my book but no one is going to take my word from it… so it’s up to me create that sense of trust within the reader. The way I do that it to secure a great blurb by an equally great writer.
            I chose three from my shelf. Tess Gerritsen, Sandra Ruttan and Anne Frasier (Theresa Weir). I know, I know… my aim is pretty high but when I think about women who write thrillers, these are the women that immediately popped into my head. If I saw a book blurbed by them, I’d probably buy it.
            So… how do you ask for a blurb?
            I wrote them a short (all writers, published or not, are busy, so the shorter, the better), polite note, letting them know how much I admired their work and just… asked.
            I received a very polite rejection from Ms. Weir today. It stung a little, but she was very sweet in her reply. She’s busy, and if I understand anything, it’s busy. I wrote back, telling her I understood and thanked her for her time. The lesson here: if you get rejected—don’t be a jackass about it.
            I’m still waiting to hear back from Ms. Ruttan and Ms. Gerritsen. Who knows… maybe one of them will say yes.

Friday, August 24, 2012

Interview with Fiona Mcvie

Just completed my first real, live interview!!

thanks so much, Fiona, for giving me such a great opportunity to get myself out there--it was lots of fun!

http://www.inspirationforum.co.uk/showthread.php?tid=6292


I've jumped head long into re-writes for Midnight Ink and thanks to my brilliant agent, Chip MacGregor, am hoping to finalize my deal with them soon!

Saturday, August 18, 2012

Brave New World



Two years ago this summer, I finished the first draft of my manuscript. I remember walking around in a light-headed daze, a stupid smile on my face--I'd just written an enire novel. Surely that made me the smartest person alive. Or at least the most talented, right? After a a day or so, reality seeped back in. Yes, I was a genius. Yes, I was talented, but... what was I going to do with it? Set it on fire? Run it through the shredder and make confetti? Wait... I know! I'll have it published!

I was so dumb back then.

When I think of this journey I'm on, I can't help but remember the time I was 6 or 7 and I was spending the weekend at my dad's house, which was in the South Mountain foot hills. My step-brothers and I got this crazy idea we were going to walk to the base of the big mountain behind our house. Don't ask me why, but it was something we all wanted to do.
It looked close, no more than a mile or two--we'd be there and back by lunch time. We started walking. And walking. And then we walked some more. The sun, behind us in the beginning, crept slowly overhead until it was in our faces--staring us down, as if daring us to take another step.
We just kept walking.
Eventually the sun began to dip behind the mountain we were walking toward and that's when I realized we were never going to get there. The mountain looked close because that's how we wanted to see it.  We'd wanted it so badly that we'd fooled ourselves into believing that it'd be an easy thing to do.  We turned around and headed home, making it back just before dinner... and we never tried to walk to that mountain again.

I feel like I've been walking forever... I know that two years is nothing compared to the time and talent that so many other people have spent on this crazy quest so many of us have decided to undertake:

The Quest for Publication.

But I'm not on their journey--I'm on mine--and I can tell you that these last two years have both flown and dragged. Have been some of the best and worst in my life. Some of the happiest and saddest. I've met and made so many wonderful friends--fellow writers and people who may not write, but believe in my work. And I've lost a few of those who didn't want to follow me to the places I was going. I learned so much about the person that I am and have finally started to realize the person I want to be.
I want to be fearless. Truly fearless... to do that, I have to face my biggest fear.

I'm afraid to fail. And being afraid to fail means being afraid to try...

Two years ago, I made the decision that I was going to make publication my goal. That meant that I'd have to try and in doing so, risk failing at something I loved. I waffled. Setting it on fire started looking like a viable option. Then this little voice in the back of my mind said, "but then you'll never know..." and it was right. If I didn't try, I'd never know if I was good enough. Suddenly, the fear of not knowing seemed bigger than any other. Failure still terrifies me, but in my writing, I've finally found something that's worth the risk.

I started walking. I'm still walking... and this time, I'm not turning back.

Friday, August 3, 2012

Fiction Friday

thought I'd switch it up a bit... since I opened my big mouth about it, I'm posting a few pages from my current novel, The First:


     Taco night was in full-swing at Casa Vaughn. Val liked to match music to food so tonight’s selection, old-school Vicente Fernandez, blasted through the open windows of the house. Grateful Val and the kids like their music loud, Sabrina killed the headlights before she pulled into the drive and quietly shut her car door. She’d hoped to stay below radar until she could get rid of her unwanted guest but he had different ideas.
            “Alone at last,” Sanford yelled at her from the street. He vaulted the pretty picket fence and crossed her lawn in broad, uneven steps. He was drunk. Perfect. Just friggin’ perfect.
            “Why are you here, Sanford?” She watched him advance, closing the space between them to just a few feet. Wished she’d remembered to drop her jacket in the car. The heavy leather would slow her down.
            Why am I here? I don’t have a job, I’m living on a bar stool, my wife took out a restraining order against me and you’re at least partly to blame. So you tell me, where else would I fucking be?” He leaned into her space and jabbed her in the chest with his finger. 
            She took a deep, slow breath and a step back. “Don’t touch me.” Drunk or sober, Sanford was an asshole but at least when he was sober he had slightly better judgment. As it stood, it looked like someone was getting their bell rung. And it wasn’t going to be her. She shifted her body into a defensive stance, ready for a fight.
            He smiled. “Whaddya gonna do,” he sneered and closed the gap between them. “Shoot me?” He drilled his pointer into the center of her chest again. Okay, asshole. Game on.
            She snatched his finger off her chest and bent it back until she heard the pop. Sanford howled and swung wildly with his free arm. She blocked the blow with her forearm and gave him a hard crack in the nose with her elbow. Stunned, he tried to stumble back but the grip she had on his finger kept him tethered. She delivered a face-crushing head-butt that drew blood and he swung again, this time clipping her in the side of the head. Pain shot through her temple but it was fleeting. He’d always been sloppy in a fight but what he lacked in skill, he more than made up for in blind rage. Once he started swinging, he wouldn’t stop until he was put down. Hard.
            He caught her in the ribs with a ham-handed jab that stole her breath. She used the grip she had on his finger like a rudder and shoved him backward, jerking him to the side before she let go. The force, and the fact he smelled like he was sweating pure booze, sent him stumbling away from her and she used the time and space it created to shed her jacket.
            As soon as it hit the ground, Sanford zeroed in on her SIG. He stood a few feet away, cradling his abused finger, dripping blood all over her cobblestone walkway. Instead of giving him second thoughts, the sight of her gun seemed to give him hope.
            “Now we’re talkin’.” The relief in his voice was obvious.
            Holy hell. “Don’t do it, Sanford,” she said. He ignored her warning and started toward her. She closed her hands into fists, raised and ready for round two.
            “Is there a problem?”
            She shot her gaze to the right to find Michael standing on the sidewalk, just a few yards away.
            Sanford turned toward him and glared through the blood. “Mind your own business, asshole.”
            Michael appraised Sanford with cool amusement. “When I see a drunk guy harassing a woman in her own front yard, I tend to see that as my business.” He spoke calmly but she saw it—the shifting of body weight, the cool amusement turned to cold calculation in his eyes. It told her if she didn’t intervene, Sanford would get exactly what he was looking for.
            “Who the hell are you?” Sanford said.
            “Just a guy, out for a walk, who happened across a situation he feels uncomfortable with ignoring,” he said, welcoming Sanford's full attention.
            She took a few steps back, widening the distance between her and Sanford, before she un-holstered her SIG and aimed it downward. “Sanford, give me your car keys.”
            “What?” He rounded on her belligerently, saw the gun held at her side.
            “I said give me your goddamn car keys.”
            Without a word, he fished them from his pocket and held them aloft. “What if I don’t?” He gave them a little shake before disappearing them into his fist. “What if I just charge you, see who comes up the winner?”
            “If you take one step in my direction, I’ll put a bullet in your knee. It won’t kill you, but you’ll have to hang up your tutu and kiss your dance dreams goodbye.” She gave O’Shea a quick glance. “That goes double for you, Mr. Can’t-Mind-My-Own-Business.”
            “Fucking smart-mouthed bitch… one of these days, you’re gonna get what’s comin’.” He tossed the keys at her feet and she stepped on them. He snarled and started toward her. She aimed her gun directly at his knee. The movement stopped him cold.
            “Yeah, one of these days… but not today.” She waved him off. “There’s a bus bench in front of the park. Go sit on it, I’ll call you a cab. Your truck will be at the station tomorrow. You can pick it up there,” she said to Sanford.
            “I’m not taking a fuck—”
            “Yes you are. You’re too drunk to drive. Leave. Now, before I put one in your leg for bringing this shit to my house. And don’t ever come here again. If you do, I will kill you,” she said.
            He smiled. “Good to know,” he said and took a few steps toward the street. He passed through the gate, eyeing Michael the entire time. Michael leaned against the fence, his hands stuffed into the kangaroo pocket of his hoodie, watching him walk away.
            Sanford stopped just past gate and turned toward Michael. “What are you looking at?”
            Michael chuckled then shrugged. “I don’t know… you’ve got…” He took a hand out of his pocket and waved it at Sanford. “Something on your face.”
            Sanford used the back of his hand to wipe away some of the blood. He smiled and took a half-step in Michael’s direction. She intervened before Sanford had a chance to respond.
            “You—” She jabbed her finger at Sanford. “Get the hell out of here.” She turned to Michael. “And you—shut the hell up.”
            “This isn’t over.” Sanford turned his back on her and started walking.
            “Yeah, that’s what you keep telling me. See you later.” The tension leaked from her system with every step he took but she didn't holster her gun.
            With little more than a glance in his direction, she bent down and collected Walter’s keys before making her way toward the front porch. She took a seat on the top step and stared across her yard at the man on the sidewalk.
            Michael looked at her for a few moments before he pushed the gate open and crossed the lawn to retrieve her jacket. Bringing it to her, he held it out but she refused to accept it. She preferred to keep both hands wrapped around the gun dangling between her knees. Waiting another beat, he tossed the jacket on the porch. “You broke his finger.” The thought seemed to amuse him.
            “No, I didn’t. I dislocated it.”
He laughed. “You can put that away now,” he said, nodding toward the SIG.
“Nah, that’s okay. I like it just where it is.” Her eyes locked on his face. “What are you doing here, O’Shea?”
He flashed her a killer smile. She tightened her grip on her SIG and waited for him to start spitting lies.
“Melissa—”
Her spine snapped tight, encased in ice. “Don’t call me that.”
“Okay, Sabrina… I wanted to apologize for this morning. Lucy knew I was going to be in the area and she asked me to look in on you. I really didn’t think you’d recognize me.” The explanation sounded completely reasonable and it would have been enough to placate her if it were true.
“Liar.”
            The smile didn’t fade. It blinked out like a switch had been flipped. In its place was a carefully guarded expression that gave away nothing.
“He killed my sister,” he said quietly. The words carried the force of a wrecking ball. They hit her square in the chest, nearly knocking her over.
            “I don’t know what you’re talking about.”
            “Liar.” He threw her word back at her with a vicious smile. It held for a moment before his face gave way under the weight of his grief. He looked away from her for a moment, seemed to be wavering, choosing his words, before he turned back to look at her. “I need your help.”
            She stood and re-holstered her gun at her side.
“No.”
            He made a noise that sounded like a strangled laugh and nodded his head. “You don’t even know what I want.”
“I’ve got a pretty good idea but it really doesn’t matter. The answer stands.” She turned to leave. What he wanted from her was obvious. It would be what she’d want from him if she were in his place. He wanted her to go back to Jessup with him so he could bait the hook.
Not gonna happen.


thanks for reading... plot problem? Writing question? Hit me up:

thrillersandkillers@gmail.com

Sunday, July 29, 2012

Bios, Taglines and Ed Boards--Oh My!


A few weeks ago, I got this e-mail from my agent:

Hi Maegan,

Hey, can you give me two things...

1 - a great, short bio on yourself, and

2 - a hook (one to three sentences) that an editor could use when talking to his ed board? (I came up with a couple, but don't like them.)

We've got people interested at _______ and ________!

(I redacted the names of the publishing companies and my agent... because I'm silly and superstitious, that's why!)

Soooo...

I should preface this by telling you that we I got the email, I was embroiled in an hours long Death Match with a particularly surly and unhelpful Centurylink service rep over the fact that they cut our service, even though we had a $200 bill credit. The second I read these words, I started to hyperventilate and laugh at the same time. I'm pretty sure Ms. Centurylink thought I was having some sort of psychotic break. I had to pass the phone off to my husband and stick my head between my knees.

I was excited! Two well-known publishers (that's all you’re getting out of me until one of them says yes!) not only agreed to read my novel—they were both considering it for publication!

I was happy! Seriously, how could I not be? I am on the verge of possibly, maybe seeing my novel in print! This ranks up there with getting married and giving birth...

But I was also scared as hell.

A bio?

Like, you want me to write about myself, and stuff? Can I lie and make myself sound interesting? Because, really... I'm just a stay-at-home mom with an overactive imagination and a laptop.

And a tagline?

I'll tell you all a not-so-secret secret--I can write a 400 page novel without thinking twice, but ask me to write a synopsis, query letter or tagline and I am instantly thrown into a state of panic. My brain short circuits. Smoke pours out of my ears. I start to cry--it's horrible... and embarrassing.

And what, in the name of all that is holy, is an ed board??

In a fit of desperation, I did something I swore I'd never do. I begged my agent for help.

Hi ______,

Could you give me an example of both (or point me the right direction to find on my own) so I know what I'm shooting for?

I had just admitted that I had NO idea what I'm doing. Knowing this, and imagining that my agent is now having serious doubts as to why he agreed to represent me in the first place, I quickly fired off another email:

Hi _____,

I know I asked for suggestions, but I want you to know that I'm working on it on my own. I'll send you what I have soon. _______ AND ________? Wow, I think I'm a little dizzy!

Thanks for everything...

Yes, in retrospect, I realize that I just kept digging the he-thinks-I'm-a-dummy hole, deeper and deeper but I couldn't stop... then I did what I should've done in the first place. I consulted the all-knowing oracle that is Google.

I typed How to write a short author bio into my search bar and found a terrific blog by literary agent Rachelle Gardner that offers some very helpful tips at rachellegardner.com. Check it out, I think you’ll find her advice helpful.


Next I searched how to write a tagline.

This one was a bit tricky, because a tagline is also called a hookline and sometimes a logline. They’re all the same thing: a short one to three sentence blurb, designed to pique interest in your audience. When I searched tagline, I stumbled around a bunch of advertising sites that didn’t do me much good. Next, I tried logline. This seems to deal with screenwriting—not my thing. Hookline worked a bit better—I found a blog by a woman named Katherine Roid that was pretty informative: katherineroid.wordpress.com.

Now I Googled the important stuff: What is an ed board.



Wikipedia says:

The editorial board is a group of people, usually at a publication, who dictate the tone and direction the publication's editorial policy will take.

…basically, this is the group of people, at a publishing house, that talk about your novel and basically decide your fate.

If that wasn’t scary enough, I happened onto a tidbit that made me want to cry:

If a novel makes it to the “ed board”stage, it has a 15% chance of being published.

I’m paraphrasing here, but… 15%? So, if my 3rd grade math holds, this means that out of 100 book proposals they hear, the ed board will say yes to 15 of them. That’s it. 15 out of 100.

I was suddenly sure I didn’t have a snowball's chance in hell.

Before I could consider chucking it all and joining the circus, my agent emailed me back:

A bio is easy -- give me something that introduces you to the publisher, Maegan. A paragraph is probably fine.

He included some examples that I’m not sure I’m allowed to share, along with some examples of taglines. They were so good, they made me wish I knew what the hell I was doing. I think I might have started to hyperventilate again…

Okay, back to the bio… a whole paragraph? About how great I am? I’d rather eat glass…

But I did it. Here’s what I wrote:

Maegan Beaumont is a first-time author, whose vivid imagination and longtime love of action movies and thrillers has inspired her to write a few of her own. A native Phoenician, Maegan’s stories are meant to raise your blood pressure, make you wonder what the guy standing in front of you in the Starbucks line has locked in his basement, and feel a strong desire to sleep with the light on. When she isn’t busy fulfilling her duties as Domestic Goddess for her high school sweetheart turned husband, Joe, and their four children, she is locked in her office with her computer, her coffee pot and her Rhodesian Ridgeback, and one true love, Jade.

I can’t explain why writing the bio was so hard… it probably has to do with the fact that writing it is a way of self-promotion and I’ve never been one to toot my own horn when it comes to my writing. I’ve kept it quiet for so long that to talk about it—and myself—feels braggy and self-serving.

As for the taglines, I wrote a few of those too. I'll share the one that didn’t make my eyes bleed:

SFPD homicide inspector, Sabrina Vaughn, used to be someone else. Someone she spent fifteen years pretending didn’t exist. When she spots a childhood acquaintance, she becomes certain of two things—that his appearance is no coincidence and that her past has finally caught up with her.

These were even harder than the bio. How in the world do you distill a 400 page novel into 3 sentences or less, while conveying the tone of your novel… oh and don’t forget to make it interesting.

It’s impossible.

But it’s also necessary. For a shot at publication, there isn’t much I wouldn’t do—including write a bio and a bunch of taglines.

What I sent into my agent was approved and sent on to the editors at each house considering my novel. The editor will put together a proposal and present it to the ed board. The ed board will decide my fate.

I’ve been waiting to hear back for 2 weeks, now…

I just hope they like me.

Plot issue? Writing question? thrillersandkillers@gmail.com

Saturday, July 21, 2012

A Tale of Two Outlines


Holly wrote:
 I read a book on writing, before I took Les’ class and before your blog, that suggested creating a very detailed outline of the novel you want to write—literally scene by scene. I haven’t done that with my current book, and I’m wondering if I should. I feel like I’m floundering along, I have no idea what’s going to happen next, or what SHOULD happen next to keep the tension up, and the story going. In fact, in my latest scene, Ollie is telling her mentor, Merc about what she found on the thumb drive. It’s time for her to do it. BUT, I haven’t written about it til now. I know I can go back and fix that, but it’s frustrating. My question is—do you think I should take some time out (an afternoon or so, not weeks) and write a detailed outline, so I know what’s coming? Or, do I just keep plunking along, then fixing things as they come to me. I feel my story is stuck, and maybe this is why.
Help!!
Hi, Holly!

First off, I’d like to reassure you—what you’re feeling is completely normal. There were many times during the writing of my novel when I felt like throwing in the towel. Show me someone who claims to be able to plow through a novel without EVER hitting the wall and I’ll show you a liar… or possibly some sort of robot. Writing is painful. It’s difficult. It’s frustrating. And it’s totally worth it. So, hang in there, it’s gonna get better—I promise!
Your question was essentially: which is better, a bare bones outline, or a detailed outline?
The answer: Both… kinda.
Yes, both. Stop swearing, Holly, and let me explain:
The broad, 20 word outline you have right now is meant for one thing only—to keep you on track. This outline is meant to hit your MAJOR plot developments. It should look something like this:
INCITING INCIDENT
MAJOR PLOT DEVELOPMENT #1
MAJOR PLOT DEVELOPMENT #2
MAJOR PLOT DEVELOPMENT #3
RESOLUTION, DEPICTING BOTH LOSS AND GAIN

What this outline DOESN’T tell you is what happens between the lines.  That is entirely up to you, Holly. This is where you unleash your imagination and create scenes that will link your major plot developments together. So, really, it should look something like this:
INCITING INCIDENT (INCINC)
Scene/Sequel
Scene/Sequel
Scene/Sequel
Scene/Sequel
MAJOR PLOT DEVELOPMENT (MPD)#1
Scene/Sequel
Scene/Sequel
Scene/Sequel
Scene/Sequel
MAJOR PLOT DEVELOPMENT (MPD #2
Scene/Sequel
Scene/Sequel
Scene/Sequel
Scene/Sequel
MAJOR PLOT DEVELOPMENT (MPD #3
Scene/Sequel
Scene/Sequel
Scene/Sequel
Scene/Sequel
RESOLUTION, DEPICTING BOTH LOSS AND GAIN

 The number of scene/sequels it takes for you to get from plot point to plot point is totally up to you. As long as each of them are necessary, further the plot and interest the reader—go for it!
Now you’re asking--how in the hell do I do that??

 Well… You can go about it one of two ways (and this is where the "kinda both" comes into play). If you can see the whole story, all at once—and are committed to it—then you might find it easy to just write it out. The drawback is that, unless you have a firm grip on your story, it can be damn near impossible to keep it on course.

The other way, and this is what I suggest that you do: make scene cards.

 Buy a pack of index cards (I like the big ones) and a good pen, (I like Pilot pens best. Blue, medium point. … I have a minor office supply addiction. Don’t judge me.)

Now, sit down with your outline and write out each development on a separate card and lay them out. Start with your IncInc—how do you get from there to your first MPD? Scene ideas should start flowing (You’ve already wrote some, so write those down first). Write each scene on a card and use them to connect your outline together. It should flow like a movie. You should see your characters in action, moving from scene to scene—each one leading from MPD to MPD, and eventually your resolution.
Your biggest sticking point seems to be this thumb drive that your protag stole from her father’s house. This is a legitimate question, because we all know: the longer a story question hangs in the air, the bigger its impact MUST be to the outcome of the story. This thumb drive has been hanging out there for a while, so it’s contents has to be explosive. What could possibly be on it that would have bearing on her father’s death? Make a list. I can think of a few things and I’ll email them to you as sort of a jumping off point. Whatever it is, it must further the plot, and if at all possible, put your protag in danger.
So… take a trip to OfficeMax (or your office supply closet at work) and get yourself some index cards. Take a day to review your scenes. This will show you where your holes and weak spots are. Write new scene cards to fill the holes and shore up your walls. Keep them in order and refer to them as you go.
I hope this was helpful to you, Holly! Good Luck!

Maegan
Plot question? Writing question?