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Showing posts with label midnight ink. Show all posts
Showing posts with label midnight ink. Show all posts

Thursday, July 24, 2014

A Blast From the Past





By now, I think we've all heard of Throwback Thursday... the day of the week designated for posting pictures from years past so our social network can see how cool/young/hot/smart/popular/accomplished we were and hopefully still are.

I like this idea. Not because I want people to see how cool/young/hot/smart/popular/ 
accomplished I was (I was never really any of those things--not really) but because it reconnects us to our past in a very real, very visual way. 

Today a casual Facebook friend of mine posted what I thought was a super fabulous version of Throwback Thursday... a beloved book cover from her childhood.

Seeing it, I thought to myself: Self, that's a kickass idea. You should steal it.

So I did.

 Here's my version of #TBT, Lit-style.




This book got me through some pretty tough shit, growing up. 
Now you're thinking... it's a book about dragons. How the hell did that help you growing up?

This book isn't about dragons--not really. Not to me anyway. This book is about a young woman who is reviled and ostracized from her homeland and through that pain, finds the strength to not only fight back, she finds a purpose bigger than herself and learns to fight to protect it.

Anyone who ever wondered where I draw my inspirations from for my Sabrina Vaughn character can find it all right here, in the pages of this book because Aerin, the heroine in this story, never quits. She never stops fighting--through loss and love and betrayal and heartbreak... she never stops fighting. 

that's my jam.





If you've never read it and you like dragons and shit (or if you just like a good story with a strong female protag), I suggest you do...

you won't be sorry.




Tuesday, August 27, 2013

Mail bag!

It’s official. I’m closing in on the last 10k words of Sabrina’s next book, a sequel to Carved in Darkness, so I finally have a few minutes to breath... although I'm pretty sure my editor would strongly disagree. Anyway, I wanted to take a few minutes to answer some readers’ questions about the new book and well… me.

Do you have a title and release date for the new book?
As I’m sure I’ve mentioned before, Carved in Darkness was not my original title for Sabrina’s first book. That brilliant title 100% belongs to the creative genius that is Midnight Ink. The working title was, although appropriate, boring. Same goes for this one. The working title for book #2 is The Muse and I’ve got my fingers crossed for another spring/summer release, 2014.

Have you written any more books I can read to hold myself over until Sabrina’s next book comes out?
Nope. Carved in Darkness is my first book, written or published.

Will Michael be back in the next book?
Yes. I left things unresolved between them because quite frankly, there is no way I’d be able to resolve their issues/relationship in one book. Michael and Sabrina have a long, bumpy road ahead of them but they’ll get there in the end. I promise.

 Is the entire series going to be about Sabrina or are you going to bring secondary characters into the forefront?
Carved in Darkness was originally intended to be a standalone novel but as it usually happens after you spend years and years of your life with a group of people who live in your head, when it comes time to let them go, you just can’t do it. You find that they have more they want to say and do and you feel compelled to let them… I have 6-7 novels planned out in my head. Some of them feature Sabrina, some of them feature Michael… and some of them feature secondary characters. Let’s hope everyone gets a chance to have their stories told.

Do you have a twitter account?
Yes… you can find me on twitter @thrilllingwords. Or you can just go to my website and hit the button.

Where have you been hiding?
In the suburbs outside Phoenix, Arizona, buried under a pile of kids.

Seriously, I’m an Arizona native married to her high school sweetheart with 4 kids (two biological and two adopted). After a lot of soul searching and false starts I finally admitted that the only thing I ever really wanted to do in life was write… and be a criminologist. Oh, and Olivia Newton-John. I really, really wanted to be Olivia Newton-John when I was younger. The Olivia Newton-John thing never would’ve work (for obvious reasons) and while criminology fascinates me, school has never been my thang, so writing it is. This way I get to study what I love (crazy freaks!!) and do what I love (write about crazy freaks!!) all in one felled swoop. And I still occasionally watch Xanadu and pretend I’m Olivia.



Have a question? Hop on over to my website www.maeganbeaumont.com and drop me a line, I'd love to hear from you!

Tuesday, August 13, 2013

The First Rule of Book Club...






is you do NOT about Book Club.

Come on, you didn't really think I'd talk about my first Book Club experience without referencing what is arguably the best Brad Pitt movie of all time (12 Monkeys is a very close second...)

Anyway...

I'll be the first to admit that CARVED IN DARKNESS isn't exactly what I'd deems as "book club" material. I never imagined a group of readers gathering in someone's home or in a restaurant to talk about my book.
I just never thought of CARVED as that kind of book.
Apparently, I was wrong (it does happen from time to time...).

A few weeks ago, I met with a group of women who not only chose CARVED as their book club monthly read but were thrilled at the opportunity to discuss it with me. I can tell you, they weren't half as thrilled as I was! What an honor to be able to sit and talk about my writing with such a wonderful bunch who listened with genuine interest and asked some very thought-provoking questions. One woman in particular had some pretty hard-hitting questions that I'd like to share as I imagine she isn't the only one who's read CARVED that has wondered the same thing...

How do you reconcile the role of mother to young children with the graphic violence you write about? How are you able to transitions between such extreme roles so easily?

Much like my protagonist, Sabrina Vaughn, I'm able to compartmentalize quite well. It's probably a skill I acquired during my days working in mental health. No matter what is going on around you or inside you, there is a job to do in front of you and you do it. And while you're doing it, everything else gets put in the box. In action, this looks like me spending hours dreaming up gruesomely horrible murder scenes and then when the bell rings (I have to set an alarm or I'll forget to pick up my kids from school... don't judge me.) I close down my computer and become a mom again. That doesn't mean the other stuff isn't there... it just means I've put it away for later.

How do you feel about your contribution to the culture of violence against women in society?

I can honestly say that while CARVED is violent and yes, that violence is centered around women, I never thought that I was contributing to a "culture of violence against women".
And I still don't.
What I did was give this world something it can never have too much of--a strong female protagonist who not only survives what what done to her, she perseveres. She fights and she wins.

Of all the questions though, this was by far my favorite...

I've read other books  featuring what was billed as strong, female protagonists but it seems like every other page someone is calling  her "baby" or "sweetie"--and she lets them without even batting an eye.  I read CARVED very carefully and didn't find one such instance. Did you find yourself ferreting those exchanges out in the editing process to make Sabrina more equal to her male counterparts?

No. No, I never went through the book to weed out what I thought were instances that would make Sabrina appear less than equal to her male counterparts. I never did that because I never wrote them. It honestly never even occurred to me to write them because Sabrina is equal and all the men in her life know it. They also know that if they ever called her "baby" or "sweetie" she'd go ten kinds of Tyler Durden all over them.

so, my question is: In your opinion, what makes for a great book club read? What books have been among your favorite and why?




"Prepare to be overwhelmed by the tension and moodiness that permeates this edgy thriller. Beaumont’s ability to keep the twists coming even when the answer seems obvious is quite potent."
--Library Journal (starred review, Debut of the Month)






Maegan Beaumont is the author of CARVED IN DARKNESS, the first book in the Sabrina Vaughn thriller series (Available through Midnight Ink, spring 2013). A native Phoenician, Maegan’s stories are meant to make you wonder what the guy standing in front of you in the Starbucks line has locked in his basement, and feel a strong desire to sleep with the light on. When she isn’t busy fulfilling her duties as Domestic Goddess for her high school sweetheart turned husband, Joe, and their four children, she is locked in her office with her computer, her coffee pot and her Rhodesian Ridgeback, and one true love, Jade

Saturday, July 13, 2013

Official Book Trailer for Carved in Darkness!

I've been on pins and needles for weeks now, waiting to see it and now that it's here, I can honestly say that it turned out better than I ever could have hoped for! Erin Kelly of Erin Kelly Designs did a sensational job!




Now, didn't that make you want to buy the book???

http://www.amazon.com/Carved-Darkness-Maegan-Beaumont/dp/0738736899/ref=sr_1_1?s=books&ie=UTF8&qid=1373778761&sr=1-1&keywords=carved+in+darkness

Sunday, June 16, 2013

The Devil in the Details



By: Maegan Beaumont

He rolled up the make-shift tarp he’d laid out on the kitchen floor and placed it in a trash bag along with the dress. Undiluted, he poured the ammonia onto the kitchen floor and chair. While ammonia didn’t destroy DNA, any evidence gathered there would be corrupted by the chemical and rendered useless. The ammonia was strong-smelling, so he opened a few windows for ventilation. The early afternoon breeze made the chore of cleaning up his mess almost pleasant.

—Carved in Darkness

It took me nearly three weeks to write this paragraph. It wasn't writers’ block or a computer crash that bogged me down—it was my almost obsessive need for accuracy.

And it wasn't just this passage I nitpicked. It was the entire novel. I scoured the internet. I read books. I logged onto forensic forums. I emailed cops and asked them what I’m sure they thought were inane and possibly dangerous questions. I spent what felt like an entire summer in handcuffs because I was trying to teach myself how to pick my way out of them. After cutting myself in a kitchen mishap, I soaked the wound in salt water (If you've read CARVED, then you understand the significance). I've even gone so far as to have a very distraught friend of mine drive me around in the trunk of her car... all so I could be sure that what I was writing was as close to the truth as I could get it. Don’t get me wrong, I ask my readers to suspend disbelief on a regular basis but I can do so because I know one simple rule: 
The most effective lies are found buried in the truth.  

So, yes... I do lie. I do make stuff up, I write fiction, after all... but readers are smart.  They know things, because they read, and they don’t like it when a writer is too lazy to do their research. I know this because as a reader, I feel exactly the same way. I don’t mind being lied to as long as I know the writer took the time and made the effort to make me believe the lie.

The key to great fiction isn't writing what you know--it's writing what you can make others believe that you know, and that takes work. Hours of research. Reading and reaching out to people who can lend authenticity to my writing, but when a reader asks me if I've ever tortured someone (yes, someone really asked me that... and the answer is no) or a reviewer mentions how impressive my attention to detail is, I know it's worth it.

So, my question is: How important is accuracy in writing to you? How do you feel about shoddy research? How do you feel about writers who don't take their research seriously?




"Prepare to be overwhelmed by the tension and moodiness that permeates this edgy thriller. Beaumont’s ability to keep the twists coming even when the answer seems obvious is quite potent."
 ~ Library Journal



http://www.amazon.com/Carved-Darkness-Maegan-Beaumont/dp/0738736899/ref=pd_rhf_ee_p_t_4_S33D

Maegan Beaumont is the author of Midnight Ink's Carved in Darkness, book one in the Sabrina Vaughn thriller series, on sale now.

Monday, May 27, 2013

I'm Famous!!

Okay... not really.

But I did have my debut signing for CARVED IN DARKNESS a few weeks ago...


We had such a great turn out at the Poisoned Pen! Thank you to Darrell James and Matt Coyle for allowing this newbie to tag along!



Here I am, signing books! That's my grandmother, right before she told Matt that the reason I was so brilliant is because she's French... she's right, BTW. ;)


Me, Matt and Darrell, after the smoke cleared.


I was also asked to be a guest on a local radio show. I had such a  great time and I really got a chance to reflect on the long, winding journey the road to publication has led me down. Take a listen:

http://www.lifemattersmedia.com/2013/05/12/stay-at-home-mom-turns-her-passion-into-a-best-selling-author/

I think I did pretty good considering the fact that I was sick with some crazy mystery illness.

and then the husband and I took a much needed, long over due vacation...

the house where we stayed...
the view from our balcony...
the husband and me...
the fantastic group of people we had the pleasure of spending our weekend with...

and proof that I actually got some work done!



Friday, May 3, 2013

Get CARVED IN DARKNESS for FREE!

This is my very first book giveaway and I'm beyond excited!!
Cath, book reviewer and blogger extraordinaire, over at My Book Chatter is hosting, so shuffle on over and enter to win a personally signed copy! 










http://mybookchatterchat.blogspot.co.nz/2013/05/spotlight-on-carved-in-darkness-by.html 


Tuesday, April 30, 2013

News & Updates

I've been neglectful again... but this time I have a pretty good reason--or should I say reasons. 

I'm roughly 1 week from my official release of my debut novel, CARVED IN DARKNESS and things are getting crazy! I mean one-armed-juggler-in-a-three-ring-circus kind of crazy. Between kids and husband, promoting the release while trying to write book #2 in the series (I'm approximately 60k words in!), I don't have time to breathe, much less blog, but I want to share my news so I've finally managed to grab a few minutes (It's 6am, I have school lunches to make and the kids are running around banshees, but whatever) to blog.

Over at Beth Groundwater's today! She's asked some fantastic questions about the book, my writing process and what keeps me sane. Beth writes the Claire Hanover gift basket designer series (A REAL BASKET CASE, 2007 Best First Novel Agatha Award finalist, TO HELL IN A HANDBASKET, 2009) and the RM Outdoor Adventures series starring river ranger Mandy Tanner (DEADLY CURRENTS, 2011, an Amazon bestseller, WICKED EDDIES, 2012). The 3rd book in both series will appear in 2013. 

Hit the link below to check it out:

 http://bethgroundwater.blogspot.com/2013/04/todays-mystery-author-guest-maegan.html

And don't forget to drop me a comment to say "hi"!


















In other exciting news, If you happened to order a trade paperback of CARVED IN DARKNESS from Amazon (they've already sold out once and looks like they're about to do it again!), chances are you've already received your copy. I hope you're as happy with the finished copy as I am... if so, I'd be thrilled of you took a few minutes to rate CARVED and leave me a brief review. I'll even make it easy and leave the links!

For Amazon:
http://www.amazon.com/Carved-Darkness-Maegan-Beaumont/dp/0738736899/ref=sr_1_1?s=books&ie=UTF8&qid=1367330833&sr=1-1&keywords=carved+in+darkness


For Barnes & Noble:
http://www.barnesandnoble.com/w/carved-in-darkness-maegan-beaumont/1113557699?ean=9780738736891

I also received a darn good review from Kirkus Review:

http://www.kirkusreviews.com/book-reviews/maegan-beaumont/carved-in-darkness/

As busy as I am, I haven't forgotten that it's all of you who've made it possible. Thank you for supporting me as a writer!

And do forget, I still answer writing problems! If you're a writer and stuck on your plot, give me a shout at:

thrillersandkillers@gmail.com 

Tuesday, March 26, 2013

Reader Reviews: Carved in Darkness

Don't let me fool you--I really do care what people think. Probably a lot more than I should.

 I believe it goes hand-in-hand with my near paralyzing fear or failure, this worry that I might disappoint someone I care about, or someone I just met... or even a total stranger that I happen to make eye-contact with at the grocery store. Disappointment means failure and I'd rather eat glass than fail at anything, which makes my life as a writer challenging, to say the least.

When I see or hear someone post or say good things about my writing, I get giddy with success. I do my happy dance and grin like a simpleton. I twirl on mountaintops. I burst into song... of course all of this happens in my head. On the outside, I might shrug and say, "that's pretty cool." Which prompts people to think I'm either a) an emotionless cyborg, b) insane, or c) jaded beyond salvation.

None of which is true (I mean, option B is always up for debate...). I think, along with my failure phobia, I've developed this belief that if I celebrate my own success, I:












1) will jinx myself.













2) will look like a pretentious asshat. (because in my mind, this is what a pretentious asshat looks like)










3) will have farther to fall when I am inevitably shoved off the Cliffs of Success by my arch nemesis, Failure. That's Failure, on the right.


The sad thing is that I've had some pretty cool reviews. Great reviews. Reviews that if I were not me, would make me want to read the book I actually wrote. I should be sharing them, right? That's not douchy or pretentious, is it? I'm allowed to celebrate, aren't I? I can toot my own horn without fear of invoking the wrath of Failure and to prove it, I'm gonna start tooting...

This is a great review I received today from Blood Rose Books:

http://j9books.blogspot.com/2013/03/maegan-beaumont-carved-in-darkness.html?spref=fb

This is another from Mallory Heart Review:

http://archiestandwoodsreviewsandwritings.blogspot.com/2013/02/carved-in-darkness-by-maegan.html

This is another by Julie Beckett's Wicked Little Imp Review bog:

http://mildlysane1.blogspot.com/2013/02/carved-in-darkness-by-maegan-beaumont.html?showComment=1364323220682#c1412246246590121895

UPDATE: 

Last, but certainly not least, I received this review today by Cath on her wonderful blog, My Book Chatter Blog:
http://mybookchatterchat.blogspot.com/2013/04/book-review-carved-in-darkness-by.html

I am BLOWN AWAY by the level of support CARVED has garnered and am so giddy I might actually do my happy dance for reals! :)

I might have missed one or two but I want to thank these fantastic bloggers who took the time to read and blog about my novel, for nothing else but their own love of good books. I don't know who you guys (or gals) are but I owe you big! If you head over to their site to read their reviews of CARVED IN DARKNESS, stay awhile. Read what they have to say about other books as well. You won't be sorry.


my buy link:

http://www.amazon.com/Carved-Darkness-Maegan-Beaumont/dp/0738736899/ref=sr_1_1?ie=UTF8&qid=1364323833&sr=8-1&keywords=carved+in+darkness

official release: May 8th, 2013.

Now, if you'll excuse me, I'm going to go hide under my desk until then...

Tuesday, February 26, 2013

Kid in a Candy Store

When a writer lands on a story idea, it usually happens one of two ways. It's either like being hit by lightening or like watching a seed germinate. Either way, once the story takes root, your head starts to swim in The Sea of Possibilities...


This is good--possibilities always are, but if you're not careful, you start to look like this:


or like this:


and then, eventually like this:




Having a fiction writer's imagination can be both a blessing and a curse. We spin straw into gold but sometimes, we get carried away. Every idea we have is a good one, every plot twist we come up with is absolutely paramount to the outcome of the story (or so we fool ourselves into believing), so we pile it on. We're gluttonous. Greedy. We have what I call Kid-in-a-candy-store-itis.

Before we know it we're working plot points for a paranormal, dystopian, sci-fi western about a half-vampire, half-werewolf who falls in love with a time-traveling mermaid... which, by the way, has absolutely nothing to do with our initial story idea.

Just remember to keep it simple. With roughly 1,100 years between us and the first printed page, an original plot is damn near impossible. Originality comes from our voice. Don't let it become cluttered and bogged down by an over active imagination or you'll end up like this guy:


  And remember: friends don't let friends write paranormal, dystopian, sci-fi,westerns about a half-vampire, half-werewolf who falls in love with a time-traveling mermaid.


Tuesday, February 5, 2013

Best / Worst week ever...




This was me last week. 

I was knee deep in final edits for CARVED IN DARKNESS. Knowing that it was the last time I would be able to fix or change anything else in the novel was a bit harder for me to take than I thought it would be...  I've always been a bit possessive of my work--I'm sure that as a writer, the sentiment is not a new one--but knowing that once I hit that send button it would no longer be "mine" made it even harder to wrap my head around.



This is how I feel about my work.


Once I turn it over to my editor, it will literally be set in stone. What I send back to her will be the version people will see and buy... hopefully. I became my own worst critic, nit-picking every little word. I literally had 30 pages of changes I wanted to make. It was insane. 


This is me going insane.

But somehow I managed to rein myself in (it might have had something to do with the fact that my editor told me that I could only make changes that were absolutely necessary). I focused on changes that were really important to the story--and then danced around my computer for a few minutes before I finally forced myself to hit send.



This is me trying to convince myself that it was all going to be okay.


So... I finally hit send. It's done. It's finished... final edits for CARVED IN DARKNESS are complete and currently being laughed at by my editor (I'm kidding. She's not really laughing... God, please don't let her be laughing...).




This is my book. You should buy it. Here's the link: http://www.amazon.com/Carved-Darkness-Maegan-Beaumont/dp/0738736899/ref=sr_1_1?s=books&ie=UTF8&qid=1360078173&sr=1-1&keywords=carved+in+darkness

I'd really like to thank my editors, Terri and Nicole, and my agent, Chip, for putting up with my ridiculous questions and my even more ridiculous quest for perfection. You guys are awesome!

Tuesday, January 22, 2013

Fade to Black...


A few months ago, I flew to Chicago for the annual client conference held by my agent. It was my first time attending, having only been picked up officially that August, so I was a bit out of my depth. I was in a strange city full of complete strangers. I had absolutely no idea where I was going or who I was going with. If you know me at all then, you know that these are things that usually send me into a tailspin… but I maintained. 

I was very proud.

As we were waiting for the train to take us into the city for dinner, I listened to people talk—“Hi, I’m blah, blah. Blah, blah has been my agent for 2 years.”
“Oh, I know you. My name is blah, blah. I’m with blah, blah.”
(not trying to be disrespectful—just don’t want to use names… or maybe I just don't remember them.)
“So, what's your name and who are you with?”
It took me a few seconds before I realized someone was talking to me.
“Ah… My name is Maegan Beaumont and I’ve been with Chip for a few months.”
I sounded like I was introducing myself at an AA meeting, but I managed to get the words out without any nervous stuttering. Suddenly, the young woman standing in front of me whirled around and after a few seconds of scrutiny, said, “You’re Maegan Beaumont?”

Oh. God. What did I do? The juvenile delinquent in me was screaming—No. No you are not. Deny, deny, DENY!!

“Yes…?”

She smiled. “I joined the agency the same week Chip received your manuscript. It was the first thing he gave me to read. I couldn’t get past the first five pages. I still think about it,” she said. “I’m pretty sure it scarred me for life.”
I didn’t know what to say. What did that mean? Was it really that bad? Before I could say anything, she saved me from imploding.
“Oh, no. It was really, really good… but it was too intense for me,” she said. “Most writers have this fade to black moment where they choose to leave the rest of a graphic scene to the reader’s imagination. I kept reading your work, waiting for the fade to black… but it kept going. I kept reading, waiting for it. Fade to black… I kept thinking, when is it going to fade to black? Fade to black. Dear God—FADE TO BLACK!!” She mimed flipping through pages, her eyes as wide dinner plates.



She stopped and smiled at me. “I took it back to Chip and said, “It’s really, really good and really, really disturbing. Here you go—you should read it. And now you’re here.”
I had no idea what to say—again. I felt like an apology was in order but I swore to myself a long time ago that I’d never apologize for anything that I’d written. Maybe I should offer to pay for her therapy…

She turned out to be the one person I really connected with in Chicago. We split a pizza and she admitted that I was nothing like what she expected. I took it as a compliment. We really didn’t talk about my work again (although, she did ask me if my husband was afraid to go to sleep around me...) but her reaction has stuck with me. Four months later and I’m still thinking about it.

Fade to Black.

I’ve tried writing that way but it felt… almost like a lie. What I’d put on paper was not what I really wanted to say—the problem was, what I really wanted to say was pretty freakin’ disturbing. I was worried what my family would think. I was worried how, if it was ever read by the general public, I’d be regarded (remember, nice girls don’t write about torture…). Would the parents of my children’s friends think I’m a depraved lunatic and keep their kids away from mine?
I was afraid of offending someone. I was afraid of disappointing everyone. I was afraid of what people would think.

I was afraid.

But you can’t write with fear—not if you want write with honesty and passion and all the things that make a book worth reading. Good writing isn’t always pretty or pleasant. It isn’t about what people want to hear. It’s about what you have to say. As soon as I realized that, I was able to let go of all that worry and doubt and just write. Instead of fading to black, I kept the lights on. I threw open the doors and windows and wrote.
And what I wrote scared me. Not the actual content… but it scared me that the words came from me so easily.  That I was able to go there without any real effort at all. I felt the strong desire to delete it off the page before anyone else saw it. I didn’t. I considered cutting it from the book. I didn’t do that either. I’ve come to recognize that feeling this way is a sign that I’ve written something that will affect people. And if we’re not affecting people with our words, then what’s the point?

Truth is, there’ll always be people who will be offended. There will be some who are disappointed or disturbed by the things I write. Who will see me differently. Who will build pre-conceived notions about what I’m really like. And as much as I wish it weren’t so, I can’t let any of that dictate what I write. I’ll go crazy if I do…

So write what you want. Say what you need to say, in the most honest way possible. Don't let fear or doubt decide what you put on paper. You deserve better than that, and so does your reader.

Fade to black. Or not...

It's totally up to you.


















Release date: May 8, 2013

Monday, January 14, 2013

Guest Blog: Lois Winston

Today, I'm fortunate enough to be hosting the fantastic writer behind the Anastasia Pollack Crafting Mystery  series and fellow MInker, Lois Winston.  Lois is going to give us a very insightful look at where plot and characters come from. Take is away, Lois!



Where Characters and Plots Are Born

“Where do you get your story ideas?”

“Are any of your characters based on yourself or people you know?”

The above are the two most frequently asked questions I hear from readers. There’s a writing axiom that states, write what you know.  To some extent this is sound advice, but it’s also extremely limiting advice. I have a good friend who writes stories populated with vampires, werewolves, selkies, and other assorted weird creatures of the paranormal world. My friend is neither a vampire, a werewolf, nor a selkie, and I have it on good authority that she’s never met any such creatures. So obviously she’s not writing what she knows from first-hand experience.

In my Anastasia Pollack Crafting Mystery series my amateur sleuth protagonist is a debt-ridden, recently widowed magazine editor whose home is populated by her two teenage sons, her “Russian princess” mother, a cantankerous communist mother-in-law, and a menagerie of pets, including a Shakespeare spouting parrot. Much of her problems stem from having believed a man who turned out to be a lying louse of a spouse.

Write what you know

To some extent. I have designed needlework and other crafts for various magazines, and I did work as a craft book editor for some years. My two sons were once teenagers. And I was saddled with a cantankerous communist mother-in-law. However, that’s where the similarities between me and Anastasia end.

My husband is a nice guy who is still very much alive. My mother, although half Russian, never claimed to descend from the Romanov dynasty, and due to allergies, we have no pets. I’ve never even come across a Shakespeare spouting parrot. Most of all, though, I don’t constantly stumble across dead bodies. And if I did, I’d leave the investigating to the police.

So where do I get the ideas for the stories I write? From the world around me.  I’m a die-hard news junkie who has always believed that truth is stranger than fiction.  That belief is reaffirmed every time I pick up a newspaper or turn on the evening news.  I’ll hear a news byte or read an article, then give the event a “what if” spin.  The voices in my head take over from there, and the next thing I know, I’ve got the plot for another book.   

The plot for Revenge of the Crafty Corpse came about after I read an article on a nursing home murder involving two ninety-something roommates. A lover’s triangle caused one woman to permanently dispatch her rival. I was well aware of mercy killings in nursing homes, but one resident killing another seemed quite rare to me. Upon further research, I discovered not only wasn’t it all that uncommon, but the motive for such murders often had something to do with romantic jealousy. 

Who knew nonagenarians still had sex? That one article planted the seeds for both a plot and a murder victim. I created Lyndella Wegner, a ninety-eight year old know-it-all with a penchant for scandalous craft projects and even more scandalous behavior. When she turns up dead, Anastasia’s mother-in-law becomes the prime suspect. Of course, Anastasia being Anastasia, she can’t leave the investigating to the police. As much as she dislikes her mother-in-law, she knows the woman isn’t a killer. So Anastasia sets out to find the real killer, hopefully before she crosses paths with any more dead bodies. Or becomes one herself.




To buy Revenge of the Crafty Corpse, go to:











Award-winning author Lois Winston writes the critically acclaimed Anastasia Pollack Crafting Mystery series featuring magazine crafts editor and reluctant amateur sleuth Anastasia Pollack. Assault With a Deadly Glue Gun, the first book in the series, received starred reviews from both Publishers Weekly and Booklist. Kirkus Reviews dubbed it, “North Jersey’s more mature answer to Stephanie Plum.” The series also includesDeath By Killer Mop DollandCrewel Intentions, an Anastasia Pollack Crafting Mini-Mystery.Revenge of the Crafty Corpse is a January 2013 release. 

Lois is also published in women’s fiction, romance, romantic suspense, and non-fiction under her own name and her Emma Carlyle pen name. In addition, she’s an award-winning crafts and needlework designer and an agent with the Ashley Grayson Literary Agency. She’s also the author of the recently released Top Ten Reasons Your Novel is Rejected. Visit Lois at http://www.loiswinston.com, visit Emma at http://www.emmacarlyle.com, and visit Anastasia at the Killer Crafts & Crafty Killers character blog, www.anastasiapollack.blogspot.com.

Wednesday, December 19, 2012

Motivation, Hitchcock and Why Cheaters Never Win


I was watching The Girl the other night and something Hitchcock said to Tippi Hedren has stuck with me. I can’t stop thinking about, even days later, and how it plays to the vanity of Hitchcock (specifically) and writers (in general).
In the scene where Hedren (played by Sienna Miller) and Hitchcock (played by Toby Jones) discuss her character’s motivation for going into the attic alone, knowing there would be birds there, (they were filming The Birds at the time). Hedren asked, “Why would Melanie go into that attic all alone?”
Hitchcock replied, “Because I want her to.”

Because I want her to.
While a cinematic genius like Hitchcock might be able to get away with that, for a lowly novelist like me, writing takes a bit more work. Just because I want my characters to do something, doesn’t mean I should make them do it. There has to be a reason my characters do and say the things they do and it's my job to give them that reason.
It's called motivation.
Motivation is what a writer weaves throughout a plot to bind it tight. Motivation is what makes even the implausible seem possible. Even the most unlikely seem inevitable. But what is it? A traumatic past? Money? Love? Revenge?
I can’t simply decide I want my protagonist to rob a bank or rescue a bunch of kids from a burning orphanage. There has to be a trigger that sets them on the course. Are they days away from losing their home to foreclosure? Is their child in need of a lifesaving operation and the insurance company refuses to pay. Did they lose a loved one to a fire? Did they grow up in an orphanage themselves?
These are seeds from which future action grow and if you want your novel to feel real, they must be planted. From these seeds should sprout a chain of events, fed on emotion and tended by circumstance, that will inevitably lead your protagonist to a place where the life-altering decisions they make are the only ones that make sense.
Look at it this way...
If a novel is a vehicle, then motivation is the fuel in the tank. It makes us move and takes us places. Maybe even places we never had any intention of going. Place we don't want to be... places we have a hard time visiting. If there's no gas in the tank, that vehicle isn't moving. But if you put the wrong kind of fuel in the tank then your vehicle breaks down completely. It becomes an undriveable hunk of crap that noboby wants to drive. Or read.
When Hitchcock sent his character into that attic full of live, pissed off birds, he wasn’t sending the character—he was sending Hedren. He allowed his personal motivation to color the actions of his character… and in doing so, changed the movie completely.
It was no longer about the story itself at all. It was about Hitchcock’s desire to punish Hedren for finding him repulsive. In punishing Hedren, Hitchcock gave as a peek behind the curtain. Even though we may not have known it at the time, we saw a writer at work and that is something your reader should never see.
The stories we write should be seamless. Our characters should be fully formed, with their own set of experiences that give their choices weight and purpose and the conclusion those choices lead them to should seem inevitable.
Anything less would be a cheat—to myself as a writer and to people I write for.