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Showing posts with label books. Show all posts
Showing posts with label books. Show all posts

Thursday, July 24, 2014

A Blast From the Past





By now, I think we've all heard of Throwback Thursday... the day of the week designated for posting pictures from years past so our social network can see how cool/young/hot/smart/popular/accomplished we were and hopefully still are.

I like this idea. Not because I want people to see how cool/young/hot/smart/popular/ 
accomplished I was (I was never really any of those things--not really) but because it reconnects us to our past in a very real, very visual way. 

Today a casual Facebook friend of mine posted what I thought was a super fabulous version of Throwback Thursday... a beloved book cover from her childhood.

Seeing it, I thought to myself: Self, that's a kickass idea. You should steal it.

So I did.

 Here's my version of #TBT, Lit-style.




This book got me through some pretty tough shit, growing up. 
Now you're thinking... it's a book about dragons. How the hell did that help you growing up?

This book isn't about dragons--not really. Not to me anyway. This book is about a young woman who is reviled and ostracized from her homeland and through that pain, finds the strength to not only fight back, she finds a purpose bigger than herself and learns to fight to protect it.

Anyone who ever wondered where I draw my inspirations from for my Sabrina Vaughn character can find it all right here, in the pages of this book because Aerin, the heroine in this story, never quits. She never stops fighting--through loss and love and betrayal and heartbreak... she never stops fighting. 

that's my jam.





If you've never read it and you like dragons and shit (or if you just like a good story with a strong female protag), I suggest you do...

you won't be sorry.




Tuesday, April 30, 2013

News & Updates

I've been neglectful again... but this time I have a pretty good reason--or should I say reasons. 

I'm roughly 1 week from my official release of my debut novel, CARVED IN DARKNESS and things are getting crazy! I mean one-armed-juggler-in-a-three-ring-circus kind of crazy. Between kids and husband, promoting the release while trying to write book #2 in the series (I'm approximately 60k words in!), I don't have time to breathe, much less blog, but I want to share my news so I've finally managed to grab a few minutes (It's 6am, I have school lunches to make and the kids are running around banshees, but whatever) to blog.

Over at Beth Groundwater's today! She's asked some fantastic questions about the book, my writing process and what keeps me sane. Beth writes the Claire Hanover gift basket designer series (A REAL BASKET CASE, 2007 Best First Novel Agatha Award finalist, TO HELL IN A HANDBASKET, 2009) and the RM Outdoor Adventures series starring river ranger Mandy Tanner (DEADLY CURRENTS, 2011, an Amazon bestseller, WICKED EDDIES, 2012). The 3rd book in both series will appear in 2013. 

Hit the link below to check it out:

 http://bethgroundwater.blogspot.com/2013/04/todays-mystery-author-guest-maegan.html

And don't forget to drop me a comment to say "hi"!


















In other exciting news, If you happened to order a trade paperback of CARVED IN DARKNESS from Amazon (they've already sold out once and looks like they're about to do it again!), chances are you've already received your copy. I hope you're as happy with the finished copy as I am... if so, I'd be thrilled of you took a few minutes to rate CARVED and leave me a brief review. I'll even make it easy and leave the links!

For Amazon:
http://www.amazon.com/Carved-Darkness-Maegan-Beaumont/dp/0738736899/ref=sr_1_1?s=books&ie=UTF8&qid=1367330833&sr=1-1&keywords=carved+in+darkness


For Barnes & Noble:
http://www.barnesandnoble.com/w/carved-in-darkness-maegan-beaumont/1113557699?ean=9780738736891

I also received a darn good review from Kirkus Review:

http://www.kirkusreviews.com/book-reviews/maegan-beaumont/carved-in-darkness/

As busy as I am, I haven't forgotten that it's all of you who've made it possible. Thank you for supporting me as a writer!

And do forget, I still answer writing problems! If you're a writer and stuck on your plot, give me a shout at:

thrillersandkillers@gmail.com 

Tuesday, March 26, 2013

Reader Reviews: Carved in Darkness

Don't let me fool you--I really do care what people think. Probably a lot more than I should.

 I believe it goes hand-in-hand with my near paralyzing fear or failure, this worry that I might disappoint someone I care about, or someone I just met... or even a total stranger that I happen to make eye-contact with at the grocery store. Disappointment means failure and I'd rather eat glass than fail at anything, which makes my life as a writer challenging, to say the least.

When I see or hear someone post or say good things about my writing, I get giddy with success. I do my happy dance and grin like a simpleton. I twirl on mountaintops. I burst into song... of course all of this happens in my head. On the outside, I might shrug and say, "that's pretty cool." Which prompts people to think I'm either a) an emotionless cyborg, b) insane, or c) jaded beyond salvation.

None of which is true (I mean, option B is always up for debate...). I think, along with my failure phobia, I've developed this belief that if I celebrate my own success, I:












1) will jinx myself.













2) will look like a pretentious asshat. (because in my mind, this is what a pretentious asshat looks like)










3) will have farther to fall when I am inevitably shoved off the Cliffs of Success by my arch nemesis, Failure. That's Failure, on the right.


The sad thing is that I've had some pretty cool reviews. Great reviews. Reviews that if I were not me, would make me want to read the book I actually wrote. I should be sharing them, right? That's not douchy or pretentious, is it? I'm allowed to celebrate, aren't I? I can toot my own horn without fear of invoking the wrath of Failure and to prove it, I'm gonna start tooting...

This is a great review I received today from Blood Rose Books:

http://j9books.blogspot.com/2013/03/maegan-beaumont-carved-in-darkness.html?spref=fb

This is another from Mallory Heart Review:

http://archiestandwoodsreviewsandwritings.blogspot.com/2013/02/carved-in-darkness-by-maegan.html

This is another by Julie Beckett's Wicked Little Imp Review bog:

http://mildlysane1.blogspot.com/2013/02/carved-in-darkness-by-maegan-beaumont.html?showComment=1364323220682#c1412246246590121895

UPDATE: 

Last, but certainly not least, I received this review today by Cath on her wonderful blog, My Book Chatter Blog:
http://mybookchatterchat.blogspot.com/2013/04/book-review-carved-in-darkness-by.html

I am BLOWN AWAY by the level of support CARVED has garnered and am so giddy I might actually do my happy dance for reals! :)

I might have missed one or two but I want to thank these fantastic bloggers who took the time to read and blog about my novel, for nothing else but their own love of good books. I don't know who you guys (or gals) are but I owe you big! If you head over to their site to read their reviews of CARVED IN DARKNESS, stay awhile. Read what they have to say about other books as well. You won't be sorry.


my buy link:

http://www.amazon.com/Carved-Darkness-Maegan-Beaumont/dp/0738736899/ref=sr_1_1?ie=UTF8&qid=1364323833&sr=8-1&keywords=carved+in+darkness

official release: May 8th, 2013.

Now, if you'll excuse me, I'm going to go hide under my desk until then...

Tuesday, March 19, 2013

What Hangs in the Balance


Like most things in writing, villains are a delicate balance. Not enough evil and you get this:





Too much evil and you get this:




The most effective villains are like this:



See what I mean? Delicate balance.

The weird thing is, though... true villains aren't balanced. They've leaned too far over the edge and lost their footing... or maybe they just swan-dived into the abyss. Either way, they're free-falling down a deep, dark hole. 

And they like it. 


They presents well. They look normal. They smile and talk. Give their seats up to little old ladies on the bus and rescue cats out of trees. They have children and drive minivans. And all the while, they harbor darkness.

Not that we don’t all harbor darkness—we do. We all have thoughts and desires we would never act on because not only do we know the difference between right and wrong, we respect it. 

We're balanced.

In order to write an effective villain, we have to knock ourselves off balance. We have to be willing to go there. You know, there. We have to be willing to search out the dark spots we keep hidden and poke at them until they bleed. To get the page a bit dirty, to scare ourselves silly. To dangle our toes over the abyss.

There have been times--many times--when I've written something and afterward wondered if there was something fundamentally wrong with me. My husband blames (for lack of a better word) my childhood. He's probably right.

Whatever the reason, I'm thankful for my keen sense of balance because no matter how many times I dangle my toes, I'm able to right myself without falling. 

And now, just for fun, some of my all-time favorite villains:




















and last, but not least...





who's your favorite all time villain?












Maegan Beaumont is the author of  Carved in Darkness, available through Midnight Ink, May 8th, 2013

Thursday, March 7, 2013

Review: The Rapist




Truman Pinter is a sociopath.

Like all sociopaths, he sees himself as better—elevated in every way. Removed and above those of us he sees as less. Less cultured. Less intelligent. Less aware. Less significant. Less… human.
We are but bothersome insects to Truman. Base, vulgar creatures who roam and rut our way through life without thought or care for things that truly matter.

Truman Pinter is a Rapist.

This is a fact he never disputes… in fact he admits it almost proudly. To police. To himself. To us. He infects us with his perverse perceptions and false logic. He makes us question the very things we base our own humanity on. He peels back the curtain and whispers, “there… see, you feel it too. You are no better than I.”


Truman Pinter is going to pay for his perceived crimes against humanity.

Or is he?

It’s hard to pin down, Les Edgerton’s latest novel, The Rapist. Is it considered a classic noir tale of a damaged man’s twisted path of self-destruction? Maybe it’s a gritty crime novel that chronicles an evil sociopath’s final hours… perhaps it’s a highbrowed work of literary fiction fraught with existential yearning.

The answer is yes. The Rapist is all of those things… and much, much more.

The Rapist is a dirty window used to peer into the blackest of hearts and the most vile of souls. A window that can never be wiped clean enough to make us want to press our faces against it… but we do so anyway, all the while feeling as if the black of Truman Pinter’s heart has tainted us forever.

It is a murky kaleidoscope of appalling shapes and unspeakable colors. Just when you think you’ve figured it out, just when you think you finally understand the vision Edgerton has set in front of us, it tumbles away, giving us another look from an entirely different perspective. A perspective we are not wholly comfortable with. One we reject, even as we unwillingly understand it.

The final result is Les Edgerton’s tour de force. A masterfully raw, brilliantly unabashed study into the heart and mind of the most cold-blooded sociopath you’ll ever encounter, on the page or off.

check it out!:

Tuesday, February 26, 2013

Kid in a Candy Store

When a writer lands on a story idea, it usually happens one of two ways. It's either like being hit by lightening or like watching a seed germinate. Either way, once the story takes root, your head starts to swim in The Sea of Possibilities...


This is good--possibilities always are, but if you're not careful, you start to look like this:


or like this:


and then, eventually like this:




Having a fiction writer's imagination can be both a blessing and a curse. We spin straw into gold but sometimes, we get carried away. Every idea we have is a good one, every plot twist we come up with is absolutely paramount to the outcome of the story (or so we fool ourselves into believing), so we pile it on. We're gluttonous. Greedy. We have what I call Kid-in-a-candy-store-itis.

Before we know it we're working plot points for a paranormal, dystopian, sci-fi western about a half-vampire, half-werewolf who falls in love with a time-traveling mermaid... which, by the way, has absolutely nothing to do with our initial story idea.

Just remember to keep it simple. With roughly 1,100 years between us and the first printed page, an original plot is damn near impossible. Originality comes from our voice. Don't let it become cluttered and bogged down by an over active imagination or you'll end up like this guy:


  And remember: friends don't let friends write paranormal, dystopian, sci-fi,westerns about a half-vampire, half-werewolf who falls in love with a time-traveling mermaid.


Tuesday, February 19, 2013

Book review: Off Season


My introduction to Jack Ketchum’s Off Season (via Facebook message) went a little something like this:

So, blah, blah read this book and it made him nauseous, poop his pant, loose his shit . . . etc - no one will read the book - we thought you might be interested. LOL He says it's short but potent. Ruthless in fact. love ya

Made him poop his pants… how could I not be interested in a book that actually induced bouts of spontaneous defecation?

Needless to say, I was intrigued.

I scurried over to Amazon and paid the price of admission. Within minutes I was immersed in Ketchum’s world… a woman running through the woods, being chased—no, herded—by feral cannibalistic children. Whipped and toyed with to the point that she flings herself off a cliff and into the sea rather than face the fate they had planned for her.

We cut to Carla, a young single woman who rents a remote cabin in Maine for a month—a quiet place to work (she’s an editor) but we also get the impression it’s a bit of an escape. Carla’s personal life is complicated—a depressive, younger sister, a boyfriend she doesn’t love… an ex-boyfriend she does. She invites them all up from New York for the weekend; a quick getaway before she dives into work.

We meet an in-bred family—men and women and children—living in a cave set into the sea cliffs above the Maine shoreline. This is a family of hunters. They hunt people and they eat them.

Carla sees one of these men while waiting for her company to arrive. He’s walking along a river that runs near the cabin and she waves to him. We know almost instantly what fate awaits Carla and company and even though it takes a while to get there, once the ball starts rolling, it doesn’t stop. It keeps rolling, destroying everything and everyone in its path.

I won’t post spoilers because that’s not my style but I will say this…
This book is brutal. Viciously graphic. Unflinchingly grotesque. Unapologetically ruthless…and worth every penny.  In between recipes for man jerky (I swear it's in there) and how-tos for  human barbecue, Ketchum gives us some wonderful prose and a story about a woman who finds herself thrust into an unspeakably heinous situation and how she finds a strength she never knew she possessed.


p.s. DO NOT read this book if you are at all squeamish or sensitive to violence. I’m not kidding. Don’t even think about it.

Tuesday, February 5, 2013

Best / Worst week ever...




This was me last week. 

I was knee deep in final edits for CARVED IN DARKNESS. Knowing that it was the last time I would be able to fix or change anything else in the novel was a bit harder for me to take than I thought it would be...  I've always been a bit possessive of my work--I'm sure that as a writer, the sentiment is not a new one--but knowing that once I hit that send button it would no longer be "mine" made it even harder to wrap my head around.



This is how I feel about my work.


Once I turn it over to my editor, it will literally be set in stone. What I send back to her will be the version people will see and buy... hopefully. I became my own worst critic, nit-picking every little word. I literally had 30 pages of changes I wanted to make. It was insane. 


This is me going insane.

But somehow I managed to rein myself in (it might have had something to do with the fact that my editor told me that I could only make changes that were absolutely necessary). I focused on changes that were really important to the story--and then danced around my computer for a few minutes before I finally forced myself to hit send.



This is me trying to convince myself that it was all going to be okay.


So... I finally hit send. It's done. It's finished... final edits for CARVED IN DARKNESS are complete and currently being laughed at by my editor (I'm kidding. She's not really laughing... God, please don't let her be laughing...).




This is my book. You should buy it. Here's the link: http://www.amazon.com/Carved-Darkness-Maegan-Beaumont/dp/0738736899/ref=sr_1_1?s=books&ie=UTF8&qid=1360078173&sr=1-1&keywords=carved+in+darkness

I'd really like to thank my editors, Terri and Nicole, and my agent, Chip, for putting up with my ridiculous questions and my even more ridiculous quest for perfection. You guys are awesome!

Tuesday, January 22, 2013

Fade to Black...


A few months ago, I flew to Chicago for the annual client conference held by my agent. It was my first time attending, having only been picked up officially that August, so I was a bit out of my depth. I was in a strange city full of complete strangers. I had absolutely no idea where I was going or who I was going with. If you know me at all then, you know that these are things that usually send me into a tailspin… but I maintained. 

I was very proud.

As we were waiting for the train to take us into the city for dinner, I listened to people talk—“Hi, I’m blah, blah. Blah, blah has been my agent for 2 years.”
“Oh, I know you. My name is blah, blah. I’m with blah, blah.”
(not trying to be disrespectful—just don’t want to use names… or maybe I just don't remember them.)
“So, what's your name and who are you with?”
It took me a few seconds before I realized someone was talking to me.
“Ah… My name is Maegan Beaumont and I’ve been with Chip for a few months.”
I sounded like I was introducing myself at an AA meeting, but I managed to get the words out without any nervous stuttering. Suddenly, the young woman standing in front of me whirled around and after a few seconds of scrutiny, said, “You’re Maegan Beaumont?”

Oh. God. What did I do? The juvenile delinquent in me was screaming—No. No you are not. Deny, deny, DENY!!

“Yes…?”

She smiled. “I joined the agency the same week Chip received your manuscript. It was the first thing he gave me to read. I couldn’t get past the first five pages. I still think about it,” she said. “I’m pretty sure it scarred me for life.”
I didn’t know what to say. What did that mean? Was it really that bad? Before I could say anything, she saved me from imploding.
“Oh, no. It was really, really good… but it was too intense for me,” she said. “Most writers have this fade to black moment where they choose to leave the rest of a graphic scene to the reader’s imagination. I kept reading your work, waiting for the fade to black… but it kept going. I kept reading, waiting for it. Fade to black… I kept thinking, when is it going to fade to black? Fade to black. Dear God—FADE TO BLACK!!” She mimed flipping through pages, her eyes as wide dinner plates.



She stopped and smiled at me. “I took it back to Chip and said, “It’s really, really good and really, really disturbing. Here you go—you should read it. And now you’re here.”
I had no idea what to say—again. I felt like an apology was in order but I swore to myself a long time ago that I’d never apologize for anything that I’d written. Maybe I should offer to pay for her therapy…

She turned out to be the one person I really connected with in Chicago. We split a pizza and she admitted that I was nothing like what she expected. I took it as a compliment. We really didn’t talk about my work again (although, she did ask me if my husband was afraid to go to sleep around me...) but her reaction has stuck with me. Four months later and I’m still thinking about it.

Fade to Black.

I’ve tried writing that way but it felt… almost like a lie. What I’d put on paper was not what I really wanted to say—the problem was, what I really wanted to say was pretty freakin’ disturbing. I was worried what my family would think. I was worried how, if it was ever read by the general public, I’d be regarded (remember, nice girls don’t write about torture…). Would the parents of my children’s friends think I’m a depraved lunatic and keep their kids away from mine?
I was afraid of offending someone. I was afraid of disappointing everyone. I was afraid of what people would think.

I was afraid.

But you can’t write with fear—not if you want write with honesty and passion and all the things that make a book worth reading. Good writing isn’t always pretty or pleasant. It isn’t about what people want to hear. It’s about what you have to say. As soon as I realized that, I was able to let go of all that worry and doubt and just write. Instead of fading to black, I kept the lights on. I threw open the doors and windows and wrote.
And what I wrote scared me. Not the actual content… but it scared me that the words came from me so easily.  That I was able to go there without any real effort at all. I felt the strong desire to delete it off the page before anyone else saw it. I didn’t. I considered cutting it from the book. I didn’t do that either. I’ve come to recognize that feeling this way is a sign that I’ve written something that will affect people. And if we’re not affecting people with our words, then what’s the point?

Truth is, there’ll always be people who will be offended. There will be some who are disappointed or disturbed by the things I write. Who will see me differently. Who will build pre-conceived notions about what I’m really like. And as much as I wish it weren’t so, I can’t let any of that dictate what I write. I’ll go crazy if I do…

So write what you want. Say what you need to say, in the most honest way possible. Don't let fear or doubt decide what you put on paper. You deserve better than that, and so does your reader.

Fade to black. Or not...

It's totally up to you.


















Release date: May 8, 2013

Sunday, December 30, 2012

Here it Comes... 2013.

 
 
      I'm one of those annoying people who don't like to do anything unless I can be relatively certain that I'll succeed at it. This has everything to do with my paralyzing fear of failure and almost nothing to do with the fact that I'm a know-it-all asshole who hates to lose (I do hate to lose and I am a know-it-all, but I'd like to believe that I'm not an asshole about it... most of the time).  
     Anyway, I was watching my husband make me eggs (I have a GREAT husband!) and babbling on and on about my new years' resolutions and I thought to myself, if I really want to stick with it, I'll have to blog them... because the only thing I hate worse than failing is failing in public. So here they are...
 
My Resolutions for 2013
 
 
1) When my husband goes to the gym--I go too.
2) Limit my coffee to 2 cups a day.
3) Write 700 words a day--minimum.
4) Plant an herb garden.
5) Be on time.
6) To blog at least once a week.
 
 
     If you know me at all, you know that #2 and #5 are going to be the hardest for me to stick with but I'll post pictures, periodically, of my success... and if I don't, feel free to ridicule me.
 
     Leave me a comment telling me your goals for 2013.
 


Friday, December 21, 2012

MIRROR, MIRROR ON SALE!!





 
I'm a big time Les Edgerton fan and my 12 year old daughter knows it. When she sees a new Edgerton book on my shelf or tablet, she always asks, "can I read that?" and my answer is always "No!" Imagine my excitement that Les Edgerton has put out a book I can say "Yes!" to.
Les' straightforward, `take no prisoners' style shines through in Mirror, Mirror and it serves him well, making this book an easy and enjoyable read. The plot moves well and keeps you engaged and is suspenseful enough to keep the story exciting. It's laugh out loud funny and keeps you guessing...

If you're a fan of Les Edgerton, or if you're looking for a good, clean read for your kids,you won't be disappointed.
 
The BEST part is that you can buy this great book for only $2.99! Here's the link:
 
 
Give the young reader in your life something great this Christmas!
 

Wednesday, December 19, 2012

Motivation, Hitchcock and Why Cheaters Never Win


I was watching The Girl the other night and something Hitchcock said to Tippi Hedren has stuck with me. I can’t stop thinking about, even days later, and how it plays to the vanity of Hitchcock (specifically) and writers (in general).
In the scene where Hedren (played by Sienna Miller) and Hitchcock (played by Toby Jones) discuss her character’s motivation for going into the attic alone, knowing there would be birds there, (they were filming The Birds at the time). Hedren asked, “Why would Melanie go into that attic all alone?”
Hitchcock replied, “Because I want her to.”

Because I want her to.
While a cinematic genius like Hitchcock might be able to get away with that, for a lowly novelist like me, writing takes a bit more work. Just because I want my characters to do something, doesn’t mean I should make them do it. There has to be a reason my characters do and say the things they do and it's my job to give them that reason.
It's called motivation.
Motivation is what a writer weaves throughout a plot to bind it tight. Motivation is what makes even the implausible seem possible. Even the most unlikely seem inevitable. But what is it? A traumatic past? Money? Love? Revenge?
I can’t simply decide I want my protagonist to rob a bank or rescue a bunch of kids from a burning orphanage. There has to be a trigger that sets them on the course. Are they days away from losing their home to foreclosure? Is their child in need of a lifesaving operation and the insurance company refuses to pay. Did they lose a loved one to a fire? Did they grow up in an orphanage themselves?
These are seeds from which future action grow and if you want your novel to feel real, they must be planted. From these seeds should sprout a chain of events, fed on emotion and tended by circumstance, that will inevitably lead your protagonist to a place where the life-altering decisions they make are the only ones that make sense.
Look at it this way...
If a novel is a vehicle, then motivation is the fuel in the tank. It makes us move and takes us places. Maybe even places we never had any intention of going. Place we don't want to be... places we have a hard time visiting. If there's no gas in the tank, that vehicle isn't moving. But if you put the wrong kind of fuel in the tank then your vehicle breaks down completely. It becomes an undriveable hunk of crap that noboby wants to drive. Or read.
When Hitchcock sent his character into that attic full of live, pissed off birds, he wasn’t sending the character—he was sending Hedren. He allowed his personal motivation to color the actions of his character… and in doing so, changed the movie completely.
It was no longer about the story itself at all. It was about Hitchcock’s desire to punish Hedren for finding him repulsive. In punishing Hedren, Hitchcock gave as a peek behind the curtain. Even though we may not have known it at the time, we saw a writer at work and that is something your reader should never see.
The stories we write should be seamless. Our characters should be fully formed, with their own set of experiences that give their choices weight and purpose and the conclusion those choices lead them to should seem inevitable.
Anything less would be a cheat—to myself as a writer and to people I write for.