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Showing posts with label mystery. Show all posts
Showing posts with label mystery. Show all posts

Monday, May 27, 2013

I'm Famous!!

Okay... not really.

But I did have my debut signing for CARVED IN DARKNESS a few weeks ago...


We had such a great turn out at the Poisoned Pen! Thank you to Darrell James and Matt Coyle for allowing this newbie to tag along!



Here I am, signing books! That's my grandmother, right before she told Matt that the reason I was so brilliant is because she's French... she's right, BTW. ;)


Me, Matt and Darrell, after the smoke cleared.


I was also asked to be a guest on a local radio show. I had such a  great time and I really got a chance to reflect on the long, winding journey the road to publication has led me down. Take a listen:

http://www.lifemattersmedia.com/2013/05/12/stay-at-home-mom-turns-her-passion-into-a-best-selling-author/

I think I did pretty good considering the fact that I was sick with some crazy mystery illness.

and then the husband and I took a much needed, long over due vacation...

the house where we stayed...
the view from our balcony...
the husband and me...
the fantastic group of people we had the pleasure of spending our weekend with...

and proof that I actually got some work done!



Monday, January 14, 2013

Guest Blog: Lois Winston

Today, I'm fortunate enough to be hosting the fantastic writer behind the Anastasia Pollack Crafting Mystery  series and fellow MInker, Lois Winston.  Lois is going to give us a very insightful look at where plot and characters come from. Take is away, Lois!



Where Characters and Plots Are Born

“Where do you get your story ideas?”

“Are any of your characters based on yourself or people you know?”

The above are the two most frequently asked questions I hear from readers. There’s a writing axiom that states, write what you know.  To some extent this is sound advice, but it’s also extremely limiting advice. I have a good friend who writes stories populated with vampires, werewolves, selkies, and other assorted weird creatures of the paranormal world. My friend is neither a vampire, a werewolf, nor a selkie, and I have it on good authority that she’s never met any such creatures. So obviously she’s not writing what she knows from first-hand experience.

In my Anastasia Pollack Crafting Mystery series my amateur sleuth protagonist is a debt-ridden, recently widowed magazine editor whose home is populated by her two teenage sons, her “Russian princess” mother, a cantankerous communist mother-in-law, and a menagerie of pets, including a Shakespeare spouting parrot. Much of her problems stem from having believed a man who turned out to be a lying louse of a spouse.

Write what you know

To some extent. I have designed needlework and other crafts for various magazines, and I did work as a craft book editor for some years. My two sons were once teenagers. And I was saddled with a cantankerous communist mother-in-law. However, that’s where the similarities between me and Anastasia end.

My husband is a nice guy who is still very much alive. My mother, although half Russian, never claimed to descend from the Romanov dynasty, and due to allergies, we have no pets. I’ve never even come across a Shakespeare spouting parrot. Most of all, though, I don’t constantly stumble across dead bodies. And if I did, I’d leave the investigating to the police.

So where do I get the ideas for the stories I write? From the world around me.  I’m a die-hard news junkie who has always believed that truth is stranger than fiction.  That belief is reaffirmed every time I pick up a newspaper or turn on the evening news.  I’ll hear a news byte or read an article, then give the event a “what if” spin.  The voices in my head take over from there, and the next thing I know, I’ve got the plot for another book.   

The plot for Revenge of the Crafty Corpse came about after I read an article on a nursing home murder involving two ninety-something roommates. A lover’s triangle caused one woman to permanently dispatch her rival. I was well aware of mercy killings in nursing homes, but one resident killing another seemed quite rare to me. Upon further research, I discovered not only wasn’t it all that uncommon, but the motive for such murders often had something to do with romantic jealousy. 

Who knew nonagenarians still had sex? That one article planted the seeds for both a plot and a murder victim. I created Lyndella Wegner, a ninety-eight year old know-it-all with a penchant for scandalous craft projects and even more scandalous behavior. When she turns up dead, Anastasia’s mother-in-law becomes the prime suspect. Of course, Anastasia being Anastasia, she can’t leave the investigating to the police. As much as she dislikes her mother-in-law, she knows the woman isn’t a killer. So Anastasia sets out to find the real killer, hopefully before she crosses paths with any more dead bodies. Or becomes one herself.




To buy Revenge of the Crafty Corpse, go to:











Award-winning author Lois Winston writes the critically acclaimed Anastasia Pollack Crafting Mystery series featuring magazine crafts editor and reluctant amateur sleuth Anastasia Pollack. Assault With a Deadly Glue Gun, the first book in the series, received starred reviews from both Publishers Weekly and Booklist. Kirkus Reviews dubbed it, “North Jersey’s more mature answer to Stephanie Plum.” The series also includesDeath By Killer Mop DollandCrewel Intentions, an Anastasia Pollack Crafting Mini-Mystery.Revenge of the Crafty Corpse is a January 2013 release. 

Lois is also published in women’s fiction, romance, romantic suspense, and non-fiction under her own name and her Emma Carlyle pen name. In addition, she’s an award-winning crafts and needlework designer and an agent with the Ashley Grayson Literary Agency. She’s also the author of the recently released Top Ten Reasons Your Novel is Rejected. Visit Lois at http://www.loiswinston.com, visit Emma at http://www.emmacarlyle.com, and visit Anastasia at the Killer Crafts & Crafty Killers character blog, www.anastasiapollack.blogspot.com.

Wednesday, December 19, 2012

Motivation, Hitchcock and Why Cheaters Never Win


I was watching The Girl the other night and something Hitchcock said to Tippi Hedren has stuck with me. I can’t stop thinking about, even days later, and how it plays to the vanity of Hitchcock (specifically) and writers (in general).
In the scene where Hedren (played by Sienna Miller) and Hitchcock (played by Toby Jones) discuss her character’s motivation for going into the attic alone, knowing there would be birds there, (they were filming The Birds at the time). Hedren asked, “Why would Melanie go into that attic all alone?”
Hitchcock replied, “Because I want her to.”

Because I want her to.
While a cinematic genius like Hitchcock might be able to get away with that, for a lowly novelist like me, writing takes a bit more work. Just because I want my characters to do something, doesn’t mean I should make them do it. There has to be a reason my characters do and say the things they do and it's my job to give them that reason.
It's called motivation.
Motivation is what a writer weaves throughout a plot to bind it tight. Motivation is what makes even the implausible seem possible. Even the most unlikely seem inevitable. But what is it? A traumatic past? Money? Love? Revenge?
I can’t simply decide I want my protagonist to rob a bank or rescue a bunch of kids from a burning orphanage. There has to be a trigger that sets them on the course. Are they days away from losing their home to foreclosure? Is their child in need of a lifesaving operation and the insurance company refuses to pay. Did they lose a loved one to a fire? Did they grow up in an orphanage themselves?
These are seeds from which future action grow and if you want your novel to feel real, they must be planted. From these seeds should sprout a chain of events, fed on emotion and tended by circumstance, that will inevitably lead your protagonist to a place where the life-altering decisions they make are the only ones that make sense.
Look at it this way...
If a novel is a vehicle, then motivation is the fuel in the tank. It makes us move and takes us places. Maybe even places we never had any intention of going. Place we don't want to be... places we have a hard time visiting. If there's no gas in the tank, that vehicle isn't moving. But if you put the wrong kind of fuel in the tank then your vehicle breaks down completely. It becomes an undriveable hunk of crap that noboby wants to drive. Or read.
When Hitchcock sent his character into that attic full of live, pissed off birds, he wasn’t sending the character—he was sending Hedren. He allowed his personal motivation to color the actions of his character… and in doing so, changed the movie completely.
It was no longer about the story itself at all. It was about Hitchcock’s desire to punish Hedren for finding him repulsive. In punishing Hedren, Hitchcock gave as a peek behind the curtain. Even though we may not have known it at the time, we saw a writer at work and that is something your reader should never see.
The stories we write should be seamless. Our characters should be fully formed, with their own set of experiences that give their choices weight and purpose and the conclusion those choices lead them to should seem inevitable.
Anything less would be a cheat—to myself as a writer and to people I write for.